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TO THE FILMIC - SCREENING

Block by Emily Richardson, 16mm Film. Artists' Experimental Film & Video Screening 24 MARCH 2019 Ramsgate Music Hall 13 Turner Street, Ramsgate, CT11 8NJ Doors: 7pm (bar open) Programme: 7.30 - 9.30 inc Q&A* TICKETS £6/4 (+50p online booking fee via Eventbrite ) also available on the door. This screening explores the moment in which a tactile space becomes a photographic image via moving image technologies and processes. The movement and labour of the filmmaker working through the space(s) is challenged in the selected works. Featuring: Nicky Hamlyn , Noor Afshan Mirza & Brad Butler , Nicholas Mortimer , Gareth Polmeer and Emily Richardson . This bumper edition has been guest curated by Benjamin Hunt. Home page image: 'The Virtual-Grammetry of Main Frame City 360 - [A Borgesian Statistic]' by Nicholas Mortimer. ---------------------------------------------------------------------------------- FULL PROGRAMME NOTES TO THE FIL

Abstract Phone Filmmaking Workshop - The Movie

Thanks to all the young people that took part in the workshop last night at Pie Factory Ramsgate and of course Louise Webb who ran a really fun session. Here's a short film of the editing section of the workshop that the children produced from a snippet of Louise's film footage of a bus journey. I'll hope you'll agree they are some very talented young people who mostly had never used Premiere Pro before and completed this in about 20 minutes. Well done Evie, Stuart and Ruby. Title: A Project Called Fanation Duration: 0:59 secs

SOUND & IMAGE

Light Begets Sound , Sally Golding (and featured image on main page) 25 NOVEMBER 2018 ARCO BARCO , 29 Military Parade, Ramsgate, CT11 9LG 7-9pm (incl Q&A with Sally and Dan) £6.50 (book in advance, see below) FEATURING: Sally Golding Andrew Kötting Dan Scott & Members of Athelstan Sound For this programme we are dispensing with the primacy of the projected image instead foregrounding sound and image experiments at the edge of artists’ experimental film, expanded cinema and sound art. The works range from Dan Scotts interest in listening as performance and the multiple ways of listening that exist in contemporary sound art; Sally Golding’s harnessing of light frequencies from amongst other things strobe lights, film projectors and camera flashes creating discordant sonics and harsh lighting, to field recordings of Andrew Kottings Dadaesque performances through the British landscape with tracks from Visionary Seascapes (re-mixed from Jem Finer's music for Swan

Analogue Ensemble

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